Otello

"The Otello powers through Hollywood Nights with an assurance and sense of drive that makes for a very entertaining performance. The instruments come out of the mix in a pleasingly three dimensional way and are topped off with an excellent rendition of Bob Seger’s vocals. The claim of reduced inertia from this fi xed-coil cartridge system seems to translate into a coherent and lively rhythmic performance."

Hi-Fi Choice March 2018 Issue 434

Representing the entry point to the Soundsmith range of cartridges, the US-based company is known for its more specialist designs. As such, the Otello is different to any other contender in the group and uses coils like a moving-coil design, but here the coil is stationary in the body – hence the fixed-coil description. The end of the cantilever has a flux generator that moves relative to the coil to give the signal output. The other end of the aluminium cantilever is the only one in the test to use a bonded stylus, in this case an elliptical type with a titanium shank.

This arrangement achieves a claimed output of 2.12mV, which is the lowest in the test, and one that might prove a challenge in setups where gain is limited, but should still work fine with most moving-magnet phono stage designs. Soundsmith says that the advantages of the fixed-coil system are a considerable reduction in mass, which helps to improve tracking ability and reduce inertia.

[full article here]

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They Said What?

I played this album a few times on my system before adding the Zephyr MK III ES. I found it far superior to the CDs I'd listened to, with excellent tone on Miles' trumpet and a deep and wide soundstage. But when I listened to it the first time with the Zephyr MK III ES, it was another level of cool. Right off the bat, the surface noise was down, significantly. Secondly, the soundstage was deeper and wider than I have ever heard on my system before. James Cobb's snare had more snap and his high hat took on more air. Song after song, I was completely engaged in the music.

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