I have settled happily on the Soundsmith strain-gauge system.

To Peter Ledermann, President of Soundsmith

After a lifetime of collecting vinyl and cartridges to play them, I have settled happily on the Soundsmith strain-gauge system. It speaks the truth, and it has singular virtues. It is for all practical purposes noise-free, its resolution is the highest I know, and its wear on groove walls the lowest. As a record producer, I audition test cuts on lacquers which are famously fragile. The strain-gauge cartridge can play them repeatedly with no sign of damage. I find it a joy to listen to for pleasure, and as a professional, I consider it a valuable tool.

Tam Henderson, Founder
Reference Recordings

They Said What?

I played this album a few times on my system before adding the Zephyr MK III ES. I found it far superior to the CDs I'd listened to, with excellent tone on Miles' trumpet and a deep and wide soundstage. But when I listened to it the first time with the Zephyr MK III ES, it was another level of cool. Right off the bat, the surface noise was down, significantly. Secondly, the soundstage was deeper and wider than I have ever heard on my system before. James Cobb's snare had more snap and his high hat took on more air. Song after song, I was completely engaged in the music.