I wanted to provide our thoughts on the performance of the Hyperion ES MK II

Peter:

I wanted to provide our thoughts on the performance of the Hyperion ES MK II. The overriding comment is that the Hyperion is the finest cartridge we have ever used. Comparative cartridges have included a broad range of top Japanese and German manufactured units. Among the Hyperion’s attributes and stand-out characteristics are its neutral and precise presentation. Neutral, but not in the sense of bland, emotionless and uninvolving. Neutral in the Hyperion’s case is an instrument that does not accentuated any aspect of the frequency range or cause coloration. There is no loss of information, attack or dynamics – it is all there. The music is lifted from the grooves in an effortless manner enveloping the listener in a massive three dimensional soundstage. Precision. Following sufficient break-in (not long) it is apparent the Hyperion reproduces music as intended. There is a realism to the presentation that other cartridges cannot approach. When you listen via the Hyperion you are playing the music, not the cartridge – it is a perfect reflection of the musicians and their art.

Thank you for such a fine musical instrument. All made in the U.S.A.!

Dale Humphrey
Live Vibe Audio, LLC
https://livevibeaudio.com

(330) 260-6769

They Said What?

I played this album a few times on my system before adding the Zephyr MK III ES. I found it far superior to the CDs I'd listened to, with excellent tone on Miles' trumpet and a deep and wide soundstage. But when I listened to it the first time with the Zephyr MK III ES, it was another level of cool. Right off the bat, the surface noise was down, significantly. Secondly, the soundstage was deeper and wider than I have ever heard on my system before. James Cobb's snare had more snap and his high hat took on more air. Song after song, I was completely engaged in the music.

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