BeoGram 4500 Cartridges

Compatible Sound Smith Cartridge Model(s)	MSRP (USA)
SMMC4	229.99	full details \| buy it now
SMMC3	349.99	full details \| buy it now
SMMC2	799.99	full details \| buy it now
SMMC1	999.95	full details \| buy it now
The Voice (For B&O)	2 699.99	full details \| buy it now

Rebuild / retipping services - PLEASE use our page for RETIPPING - $295.95 + shipping (except where noted)

MMC2 - REBUILD for lost channel or distortion (ONLY IF the stylus and cantilever are intact/not broken).

MMC1 - REBUILD for lost channel or distortion (ONLY IF the stylus and cantilever are intact/not broken).

WE DO NOT rebuild the MMC5, MMC4, MMC3 - we do manufacture 5 replacement models in this range.

MMC10E and EN, MMC20E and EN (also MMC3000 - thru 6000) - We DO rebuild these for $150, $250 and $350 ($150 for Bonded Elliptical stylus, $250 for Nude Elliptical stylus, $350 for Boron CL) - Please specify which you wish us to use.

(For the MMC1 & 2's - we are often successful in our efforts, but if the stylus is worn, or if it is damaged during the rebuilding process and cannot be repaired, there is no charge. We do NOT rebuild the original MMC5, MMC4 or MMC3, or any other model of the SMMC20 series.

SP series styli - ($150 for Bonded Elliptical stylus, $250 for Nude Elliptical stylus)

Classic B&O® phono cartridges

NOTE: The SP series (pictured below) were the only B&O® cartridges that replacement styli were available for. They are no longer available from B&O, but we can rebuild these for $150 with a Bonded Elliptical stylus, or for $250 with a Nude Elliptical stylus. Use our web page for RETIPPING to arrange sending in yours.

This cartridge was used in early version of Model 3000 (type 52xx)!

They Said What?

I played this album a few times on my system before adding the Zephyr MK III ES. I found it far superior to the CDs I'd listened to, with excellent tone on Miles' trumpet and a deep and wide soundstage. But when I listened to it the first time with the Zephyr MK III ES, it was another level of cool. Right off the bat, the surface noise was down, significantly. Secondly, the soundstage was deeper and wider than I have ever heard on my system before. James Cobb's snare had more snap and his high hat took on more air. Song after song, I was completely engaged in the music.